The Work
Five rooms, mid-build. Nothing here is finished, and nothing is pretending to be. What is settled is named. What is still being decided is shown as a choice, not hidden until it resolves.
“You walk in and something shifts. Before you have seen the rest of the house, you already know it has a point of view.”
Still being decided
Which drapery
One decision still open.
Mirror, credenza and paint are settled. Drapery is the one piece still being decided.
Key pieces
Where it actually stands
The mirror and credenza came first because they set the scale of everything else. Drapery is the one open decision worth showing. Everything else still missing is named here rather than smoothed over.
Follow this room
The rendering above is the direction. What the room actually looks like right now, mid-install and unstyled, is documented as it happens.
See this room in the Journal →“Sculptural by day. Cinematic by night. The velvet was the first decision and everything else answered to it.”
Still being decided
Which mirror
One decision still open.
The sectional set the direction and everything answered to it. What is left is installation, and two pieces still being sourced.
Key pieces
Where it actually stands
The panels are sitting in the house waiting to go up. The cabinets are still being built. The room reads close to finished in a rendering and is not finished in fact. That gap is the honest state of it.
Follow this room
The rendering above is the direction. What the room actually looks like right now, mid-install and unstyled, is documented as it happens.
See this room in the Journal →“The kind of room where dinner stretches into the night without anyone noticing.”
Still being decided
Mural, or built-ins
One decision still open.
Table, chairs, sideboard, curtains and pendant are all sourced. The walls are the open question.
Key pieces
Where it actually stands
Almost everything in this room is settled. The mural has been found but not bought, because that decision waits on whether the built-ins happen. The built-ins change the room enough that buying the mural first would be backwards.
Follow this room
The rendering above is the direction. What the room actually looks like right now, mid-install and unstyled, is documented as it happens.
See this room in the Journal →“Small, dark, and completely sure of itself. A room this size can afford to be dramatic.”
Still being decided
Centred, or off to one side
One decision still open.
Garnet tile, deer red paint, walnut and antique brass. Everything is chosen; the walnut counter still has to be built.
Key pieces
Where it actually stands
The smallest room in the house and the one carrying the most colour. Powder rooms can hold more drama than anywhere else, because you are never in them long enough for it to feel like too much.
Follow this room
The rendering above is the direction. What the room actually looks like right now, mid-install and unstyled, is documented as it happens.
See this room in the Journal →“A moody retreat that reflects him — cycling, adventure, quiet moments alone.”
Still being decided
Which sofa
One decision still open.
Vertical slat walls in near-black with warm under-shelf lighting. The envelope is set; the seating is not.
Key pieces
Where it actually stands
This is his room, built around cycling and quiet time alone. The walls and lighting are settled. The sofa is the decision that will set the tone for everything still to come — velvet reads calmer, print reads more collected.
Follow this room
The rendering above is the direction. What the room actually looks like right now, mid-install and unstyled, is documented as it happens.
See this room in the Journal →If this is close to what you want in your own home, the conversation starts smaller than you think.
Every room above is shown as a concept rendering while construction finishes. Real photography replaces each one as it is completed — that swap will happen room by room, not all at once.
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